With a legacy of quality effects that goes back to Kubrick's 2001, it is easy to get jaded about the nature of the special effects and the science behind the story. Interstellar just raised that bar to a brand new level. Most movies have noticeable special effects and holes in their science. Interstellar was flawless. Mainly because of how many effects they achieved in camera. It's science is impeccable. It should be with a gravitational scientists on the crew. They went to such lengths that they actually made some interesting discoveries about how light bends and how objects would look.
Not only are the effects and science great, but the story is great as well, with just enough that goes beyond the pure science in to scientific speculation that this is the epitome of what science fiction should be. At the heart of it, it is a father daughter story set in space and abounding with science. But you don't need to be a scientist for the story to make sense.
This film most certainly deserves the Hugo award this year. It is what the Hugo is all about. It is, unfortunately, on the Sad Puppies list. I'm quite sure it would have been nominated anyway. In other areas it has received many awards, beating out the other Hugo Nominees. And it is really quite funny that the puppies would nominate this film. They are so against stories with a message and if you don't get the messages in this film you have to be brain dead. As against the puppy slates as I am, I am forced to concede that this is indeed the best SF film of the year and I must put it first when I vote. I just have to. From the emotional, enjoyment, box office response, and industry award perspectives this film comes out on top among those nominated. If you believe in the spirit of the Hugos, you won't let the source of a good nominee that deserves to win cloud your judgement. Of course, not all will agree that this is the best offering, but from my perspective, I have no choice.
This film most certainly deserves the Hugo award this year. It is what the Hugo is all about. It is, unfortunately, on the Sad Puppies list. I'm quite sure it would have been nominated anyway. In other areas it has received many awards, beating out the other Hugo Nominees. And it is really quite funny that the puppies would nominate this film. They are so against stories with a message and if you don't get the messages in this film you have to be brain dead. As against the puppy slates as I am, I am forced to concede that this is indeed the best SF film of the year and I must put it first when I vote. I just have to. From the emotional, enjoyment, box office response, and industry award perspectives this film comes out on top among those nominated. If you believe in the spirit of the Hugos, you won't let the source of a good nominee that deserves to win cloud your judgement. Of course, not all will agree that this is the best offering, but from my perspective, I have no choice.
The effort that went in to making this an outstanding production is amazing. The music scored before and during production, the front projected backgrounds that the actors saw out of the windows, the full size props used as effects models, the painstaking attention to the science behind wormholes and black holes and the amazing rendering of those objects faithful to the science, not to mention the serious warning that if we ruin our planet it would take a miracle (the wormhole in this case) for use to survive. And underneath it all, a story about one man sacrificing his family to save humanity and the ripples that causes. Amazing story telling and an amazing production resulting in the best SF movie I have seen. Better than 2001, better than Star Wars, better than Star Trek. Absolutely amazing.
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