Cosmology is one of my favorite subjects. It is also a subject that isn't often in the new, or subject to bloggable topics. Today, however, news has broken that a cosmology mapping project and reached an amazing discovery. They have used several measurements to determine that the Milky Way, our local group, and the Virgo Cluster, are all part of a much larger structure they have named the Laniakea supercluster. Our galaxy is located on a dense spur that sticks out to one side.
Previously it was hard to tell where one group ended an another began leaving cosmologist to stick to the obvious clusters and groups, but with this, it is now possible to definitively assign each galaxy to a supercluster and actually see the structures and how they relate.
It is also interesting to see that we are located in a very dense region. The neighboring Perseus-Pisces supercluster appears to have some influence and may be the cause for the increased density.
Much of this is academic and does not appear to be of much use, but it furthers our understanding of the structure of the universe and through that, our understanding of the Big Bang. So while this might seem like something on such a scale that it is pointless, it could impact the theories of science that the next generation will build upon. So it is very exciting on several levels.
Thursday, September 4, 2014
Wednesday, September 3, 2014
The Han Solo Adventures and the Birth of the Expanded Universe
To finish up my summer reading, I returned to some classic stories that I enjoy every time I pick them up - Brian Daley's three Han Solo novels from 1979.
So, what existed when these were written? Well, it was the first movie (then just titled Star Wars), the novelization of the first movie (ghostwritten by Alan Dean Foster), and Splinter of the Mind's Eye (by Alan Dean Foster). So it was a pretty small universe that Daley expended on with these three novels.
Han Solo At Star's End
This episode finds Han and Chewy in need of repairs for the Falcon, several years before Star Wars. In the process they get dragged into a conspiracy of disappearing people. Han doesn't want to get involved until Chewy is captured. The climax involved a power system overload that sends an super-reinforced tower into a suborbital trajectory. Daley did a fantastic job of making it seem plausible, but something about the scenario just seems cheesy. Still it is a fun romp with Solo and the wookie.
Han Solo's Revenge
This episode has Han and Chewy take a job out of desperation that turns out to be a slaver ring. That goes against their ethics so the slavers are soon dead and the slaves freed, but Han and Chewy are out the payment and set out to rectify that. The slaver ring turns out to be part of a large ring of corruption and no one they encounter is quite who they seem to be. This one may be the best of the three and feels like the Han Solo we know from the films.
Han Solo and the Lost Legacy
In this Episode, they run into an old friend who has a mission for them - a long lost treasure. The trail leads to a backwater world where they are ambushed. They all escape, but the Falcon is taken (literally picked up and hauled away by a loadlifter). Han sets out to get his ship back. In the process, they stumble on a community of pre-republic castaways who turn out to have ties to the treasure, but they barely escape with their lives. They manage to get the Falcon back and find the treasure, only to discover that it is largely worthless minerals that once had value before technology make them obsolete. It ends with talk of Jabba the Hutt and a Kessel Run.
Each story is about sixty thousand words and is fast paced. Very suitable for a child of nine to pick up and devour and also for a quick read for any adult. This is the Han Solo who shot poor Greedo. He is hard, callous, but underneath he cares. He has been wounded too often to let himself show it. Daley's characterization is spot on and the additional characters and technology he crafted have become part of the staple that was included in the original role playing game and the other expanded universe books. While Alan Dean Foster was the first writer to visit the Star Wars Universe, Brian Daley was the first to explore it.
The best part of these stories is that I enjoyed them as much as a seasoned writer of 44 as I did at 9.
So, what existed when these were written? Well, it was the first movie (then just titled Star Wars), the novelization of the first movie (ghostwritten by Alan Dean Foster), and Splinter of the Mind's Eye (by Alan Dean Foster). So it was a pretty small universe that Daley expended on with these three novels.
Han Solo At Star's End
This episode finds Han and Chewy in need of repairs for the Falcon, several years before Star Wars. In the process they get dragged into a conspiracy of disappearing people. Han doesn't want to get involved until Chewy is captured. The climax involved a power system overload that sends an super-reinforced tower into a suborbital trajectory. Daley did a fantastic job of making it seem plausible, but something about the scenario just seems cheesy. Still it is a fun romp with Solo and the wookie.
Han Solo's Revenge
This episode has Han and Chewy take a job out of desperation that turns out to be a slaver ring. That goes against their ethics so the slavers are soon dead and the slaves freed, but Han and Chewy are out the payment and set out to rectify that. The slaver ring turns out to be part of a large ring of corruption and no one they encounter is quite who they seem to be. This one may be the best of the three and feels like the Han Solo we know from the films.
Han Solo and the Lost Legacy
In this Episode, they run into an old friend who has a mission for them - a long lost treasure. The trail leads to a backwater world where they are ambushed. They all escape, but the Falcon is taken (literally picked up and hauled away by a loadlifter). Han sets out to get his ship back. In the process, they stumble on a community of pre-republic castaways who turn out to have ties to the treasure, but they barely escape with their lives. They manage to get the Falcon back and find the treasure, only to discover that it is largely worthless minerals that once had value before technology make them obsolete. It ends with talk of Jabba the Hutt and a Kessel Run.
Each story is about sixty thousand words and is fast paced. Very suitable for a child of nine to pick up and devour and also for a quick read for any adult. This is the Han Solo who shot poor Greedo. He is hard, callous, but underneath he cares. He has been wounded too often to let himself show it. Daley's characterization is spot on and the additional characters and technology he crafted have become part of the staple that was included in the original role playing game and the other expanded universe books. While Alan Dean Foster was the first writer to visit the Star Wars Universe, Brian Daley was the first to explore it.
The best part of these stories is that I enjoyed them as much as a seasoned writer of 44 as I did at 9.
Tuesday, September 2, 2014
Journey Into the Dalek
The second episode of Series 8 takes us someplace new. The Doctor and his traveling companions have been shrunk before (Let's Kill Hitler), but this time it is to journey into a Dalek to find out why it has turned good in order to do the same thing to other Daleks.
The episode pays homage to Fantastic Journey, with the Doctor even saying it would be a great idea for a movie, while at the same time being quite different and thought provoking.
We get to learn much more than ever before about how a Dalek works. We also get a nice comment from the Doctor (which applies to the character and the series) that it was his visit to Skaro that changed him.
The episodes also gives us some nice moments with Clara, both in her own life and in her travels with the Doctor. We also get an introduction to a fellow Coal Hill School teacher, Danny Pink.
Without giving too many more spoilers, I'll just say that this was a dark episode. The end was not what I expected, but when it came, it was exactly right. A wonderful episode that was over all too soon.
The episode pays homage to Fantastic Journey, with the Doctor even saying it would be a great idea for a movie, while at the same time being quite different and thought provoking.
We get to learn much more than ever before about how a Dalek works. We also get a nice comment from the Doctor (which applies to the character and the series) that it was his visit to Skaro that changed him.
The episodes also gives us some nice moments with Clara, both in her own life and in her travels with the Doctor. We also get an introduction to a fellow Coal Hill School teacher, Danny Pink.
Without giving too many more spoilers, I'll just say that this was a dark episode. The end was not what I expected, but when it came, it was exactly right. A wonderful episode that was over all too soon.
Friday, August 29, 2014
The Third Star Wars Trilogy
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| fan concept poster |
George Lucas had grand plans when he set out to make Star Wars. He omitted the episode number on the first film, probably because no one could have predicted its success. But in the original plan, there were 3 trilogies and 3 other films to expand on it (1, 5, and 12). The first film would have been Episode VI. In the scaled back plan from when Empire was in production and Lucas had hopes of making all of them, he settled on the familiar 9 (3 trilogies) and labeled Empire Episode V and relabeled Star Wars as A New Hope Episode IV. (Much of this comes from the following link)
What is clear from the information that has been made available, through interviews with Lucas and those he has shared some of these things with, is that the basic story of the Prequels was set pretty early, most probably during the production of Empire and more during the production of Jedi. But it is also obvious that Lucas was always mindful of the immediate story he was telling over the overall story of the saga. Errors have crept in that it are hard to account for. Still, it is an amazing work.
Now we have Disney in possession of the property (a scary thought to some) and they have greenlit Episodes VII, VIII, and IX. And not for some nebulous future, Episode VII is in production now and scheduled for release in December 2015. We know who is back (the main principle cast, composer, and screenwriter) from Episode VI and who some of the new people are. But we have no clue as to the story.
When the prequel trilogy was announced, we knew a lot about who would be in it (characterwise). We knew it would be the story of Obi-wan Kenobi and Anakin Skywalker and include the Clone Wars, but the specifics were always hazy. I have always suspected that much of the bad feeling toward the Prequel Trilogy has been because it failed to tell the story many were expecting. I appreciate them myself, probably because I can see what he did in writing, casting, and directing, that make the films very stylized to tell the story of a different age.
But what of the Sequel Trilogy? What is the story. Much of the post Jedi story has been explored by writers in the novels of the Expanded Universe. How that fits with the ideas that Lucas penned many years ago has always been uncertain. And it might remain uncertain depending on how the next film does. Depending on the story, it could rewrite all that. I think Lucas gave the writers enough information so that they were at least close to what he had in mind for Episodes VII, VIII, and IX, but he hadn't penned the story. Lawrence Kasdan is penning the story, hopefully from Lucas's notes. Who knows what we will get.
But what can we expect? The Prequels have set a high bar for some aspects. Jedi combat reached a high level and fans will expect to see that same level, perhaps with new moves to add excitement. We will be getting to see old familiar faces and ships. Whether they play a cameo role or a more serious role remains to be seen. But we will have Luke Skywalker, Princess Leia, Han Solo, Chewbacca, R2-D2, C-3PO, and the Millenium Falcon. If things proceed (and there are hints it has) as the books did, will we find that Han and Leia are married and have had children, who are now old enough to take the lead roles. But the story itself is a mystery.
Kevin Smith visited the set, giving us a clue as to part of the production. They nailed the Millenium Falcon set. Smith said that and the other sets felt like Star Wars (I believe he meant the Original Trilogy specifically). While the sets really have no relation to the story, it does show that they are putting a lot of effort into it. And the pen rests with the man who penned the screenplay for Empire and Jedi. The director, J.J. Abrams, is an avowed Star Wars fan. Still, the question of the story remains unanswered. To meet the bar set by the previous 6 movies, it will have to have space battles, strong character arcs, shootouts, danger, excitement, and lightsaber duels with a 3 movies story arc to bind them together.
A lot rests on new hands with this one. It is reassuring to know that legions of fans have devoured the Expanded Universe novels with their many story arcs. If the new production team have come up with (or been given by Lucas through his notes) an equally good story, we are in for an amazing movie in 15 months.
Wednesday, August 27, 2014
Behind The Scenes
As happens from time to time, I have been interviewed by a blogger. You can find the full thing over at Author's Interviews. It is fun answering questions. No two have been quite the same.
If you care to root around in past posts, I have linked to some previous interviews.
If you care to root around in past posts, I have linked to some previous interviews.
Sunday, August 24, 2014
A Deep Breath
Peter Capaldi's first episode, Deep Breath, is a many layered story. The underlying story, clockwork robots from SS Marie Antoinette trapped on earth for an unknown length of time, really takes a back seat to the post regeneration events. It's not the first time that has been done.
Even the title has many layers to it. The obvious is that to fool the clockwork robots, they need to take a deep breath and hold it. But Clara is obviously troubled by the regeneration and needs to take a deep breath and realign herself. And from the description of the series it sounds like Steven Moffat is advising us to take a deep breath because this season is going to move fast.
This episode went by fast. I never wanted to look away. It was filled with good solid story telling. It really centered around Clara coming to terms with how the regeneration turned out. But that would be a boring story by itself. So on top of that they face some nasty robots. the greatest part is that at one point the Doctor correctly identifies when the ship is from, even finds the name, but never associates it with the events in Girl in the Fireplace. A nice hint that at over 2000 years old, he doesn't remember everything. Well, he did just regenerate.
I had very little to complain about. I thought it was fantastic and well written. A superb first outing. But, not everything was perfect. I thought the T-rex was too large - unbelievably so - and I really missed getting to see the scene where the Doctor picks his wardrobe. Other than those very minor points, it was fabulous.
Even the title has many layers to it. The obvious is that to fool the clockwork robots, they need to take a deep breath and hold it. But Clara is obviously troubled by the regeneration and needs to take a deep breath and realign herself. And from the description of the series it sounds like Steven Moffat is advising us to take a deep breath because this season is going to move fast.
This episode went by fast. I never wanted to look away. It was filled with good solid story telling. It really centered around Clara coming to terms with how the regeneration turned out. But that would be a boring story by itself. So on top of that they face some nasty robots. the greatest part is that at one point the Doctor correctly identifies when the ship is from, even finds the name, but never associates it with the events in Girl in the Fireplace. A nice hint that at over 2000 years old, he doesn't remember everything. Well, he did just regenerate.
I had very little to complain about. I thought it was fantastic and well written. A superb first outing. But, not everything was perfect. I thought the T-rex was too large - unbelievably so - and I really missed getting to see the scene where the Doctor picks his wardrobe. Other than those very minor points, it was fabulous.
Friday, August 22, 2014
Star Wars Episode VII Fears
It is hard not to be excited about the news of a new Star Wars movie. Yet I find that my excitement is tempered by two factors.
It is absolutely fabulous that Lawrence Kasdan is back as screenwriter and that so many of the original cast are back. John Williams ensures musical continuity. And Kathleen Kennedy has been the producer of some fantastic movies. Yet Star Wars is now owned by Disney and J.J. Abrams is directing and George Lucas is not involved. Those all pull down my excitement.
Yet, if the truth be told, George Lucas did a fantastic job, but fans have increasingly been critical of his choices since the Ewoks. The best movie was Empire with story by Lucas, but screenplay by Kasdan, and Irvin Kershner directing. Reputedly they are going from story notes Lucas made. Abrams has done a smashing job directing, he just has a horrible track record of writing stories.
Which brings us to Disney. A lot of people think that Star Wars will automatically be less because it is now owned by Disney. But is that a valid fear? When you look at Lucas's storytelling and Disney's storytelling, there are some striking similarities. Lucas followed a pattern for how he ended each movie in each trilogy. Over the six movie saga he has quite a few upbeat endings. He even managed to hit the up note in Revenge of the Sith by showing Luke and Leia placed with their foster families. Disney's been accused of much the same thing, yet they have their fair share of dark stories. Bambi isn't always known for its cuteness because the death of Bambi's mother really hit a lot of people hard and they remember. Disney's villains are very much like Vader and Palpatine. Their answer to Star Wars - The Black Hole - was a dark movie. They have a habit of having characters who are orphans, or suffered some tragedy. And the fairy tales that most of their animated films are based on have similar archetypes to what Campbell described that Lucas used so successfully. So is Star Wars now being in then hands of Disney something to be feared? Well, when it comes to the movie, probably not.
So is their really anything to be apprehensive about? I'd have to answer yes to that one. The prequels didn't turn out so well and the fear is that these might be even worse. And the 6 extant movies make a nice arc. What will happen when there are 9?
As much as I want to see more Star Wars, I want them to do it right and we won't know that until Episode VII is released and we hear from the fans what they think. This fan is likely to enjoy it, but it is by no means certain. I boycotted Star Trek Into Darkness because of choices Abrams made in writing and casting the film. So I will wait and see. I intend to give it a chance, but I can't shake the fears, however much I try to explain them away.
It is absolutely fabulous that Lawrence Kasdan is back as screenwriter and that so many of the original cast are back. John Williams ensures musical continuity. And Kathleen Kennedy has been the producer of some fantastic movies. Yet Star Wars is now owned by Disney and J.J. Abrams is directing and George Lucas is not involved. Those all pull down my excitement.
Yet, if the truth be told, George Lucas did a fantastic job, but fans have increasingly been critical of his choices since the Ewoks. The best movie was Empire with story by Lucas, but screenplay by Kasdan, and Irvin Kershner directing. Reputedly they are going from story notes Lucas made. Abrams has done a smashing job directing, he just has a horrible track record of writing stories.
Which brings us to Disney. A lot of people think that Star Wars will automatically be less because it is now owned by Disney. But is that a valid fear? When you look at Lucas's storytelling and Disney's storytelling, there are some striking similarities. Lucas followed a pattern for how he ended each movie in each trilogy. Over the six movie saga he has quite a few upbeat endings. He even managed to hit the up note in Revenge of the Sith by showing Luke and Leia placed with their foster families. Disney's been accused of much the same thing, yet they have their fair share of dark stories. Bambi isn't always known for its cuteness because the death of Bambi's mother really hit a lot of people hard and they remember. Disney's villains are very much like Vader and Palpatine. Their answer to Star Wars - The Black Hole - was a dark movie. They have a habit of having characters who are orphans, or suffered some tragedy. And the fairy tales that most of their animated films are based on have similar archetypes to what Campbell described that Lucas used so successfully. So is Star Wars now being in then hands of Disney something to be feared? Well, when it comes to the movie, probably not.
So is their really anything to be apprehensive about? I'd have to answer yes to that one. The prequels didn't turn out so well and the fear is that these might be even worse. And the 6 extant movies make a nice arc. What will happen when there are 9?
As much as I want to see more Star Wars, I want them to do it right and we won't know that until Episode VII is released and we hear from the fans what they think. This fan is likely to enjoy it, but it is by no means certain. I boycotted Star Trek Into Darkness because of choices Abrams made in writing and casting the film. So I will wait and see. I intend to give it a chance, but I can't shake the fears, however much I try to explain them away.
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